Botticelli
Artist and Designer
Ana DebenedettiA vivid account of the life and work of Renaissance artist Sandro Botticelli.
In this vivid account Ana Debenedetti examines the life and work of Renaissance artist Sandro Botticelli through the lens of the organization of his workshop and the commercial strategies he devised to make his way in the very competitive art market in Florence. She looks at the remarkable career of this pivotal artist and his production with fresh eyes, presenting the analysis within the wider context of Florentine society and culture. Many of Botticelli’s most celebrated works, such as The Birth of Venus, are evaluated alongside less familiar forms such as tapestry and embroidery, showing the wide breadth of the artist’s oeuvre and his talent as a designer across media.
A vivid account of the life and work of Renaissance artist Sandro Botticelli.
In this vivid account Ana Debenedetti examines the life and work of Renaissance artist Sandro Botticelli through the lens of the organization of his workshop and the commercial strategies he devised to make his way in the very competitive art market in Florence. She looks at the remarkable career of this pivotal artist and his production with fresh eyes, presenting the analysis within the wider context of Florentine society and culture. Many of Botticelli’s most celebrated works, such as The Birth of Venus, are evaluated alongside less familiar forms such as tapestry and embroidery, showing the wide breadth of the artist’s oeuvre and his talent as a designer across media.
A vivid account of the life and work of Renaissance artist Sandro Botticelli.
In this vivid account Ana Debenedetti examines the life and work of Renaissance artist Sandro Botticelli through the lens of the organization of his workshop and the commercial strategies he devised to make his way in the very competitive art market in Florence. She looks at the remarkable career of this pivotal artist and his production with fresh eyes, presenting the analysis within the wider context of Florentine society and culture. Many of Botticelli’s most celebrated works, such as The Birth of Venus, are evaluated alongside less familiar forms such as tapestry and embroidery, showing the wide breadth of the artist’s oeuvre and his talent as a designer across media.
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Debenedetti presents in compact format a capsule survey of Botticelli’s entire career, from his first paintings in the 1460s to the intense and highly inventive late works of the 1490s and early 1500s . . . Botticelli, together with other Florentine artists of the period, ran an active and productive workshop, which produced designs in a wide variety of media. The study covers the shop’s practices in depth, including the use of drawings, replication of motifs and compositions, and collaboration between members of the shop on individual paintings. Contemporaneous Florentine philosophical debates are brought into play in the treatment of the artist’s famous series of mythological paintings. The study concludes with a discussion of Botticelli’s ability to adapt to a wide variety of commissions, as demonstrated in his participation in the frescoes executed in the Sistine Chapel in Rome, in the complex cycle of silverpoint drawings prepared for Dante’s Divine Comedy, and in the late works responding to the Florentine wave of Savonarola piety. Recommended.
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The great merit of this book is to re-contextualise Botticelli’s personality and oeuvre in his social and cultural milieu in a lively and captivating narrative, providing the reader with a detailed account of the latest scholarship on the subject with ease and clarity.
'Alessandro Cecchi, art historian, director of the Casa Buonarroti Foundation and author of 'Botticelli' (2005)
1 Becoming Botticelli
2 Making an Impression: The Painter’s Debut in Context
3 Building the Picture: Invention and Delegation
4 The Original Multiple and the Wandering Motif
5 Changing Style, Adapting to the Market
Chronology
References
Select Bibliography
Acknowledgements
Photo Acknowledgements
Index
Ana Debenedetti is Director of the Bemberg Foundation (Toulouse, France), and former Curator of Paintings at the Victoria and Albert Museum. She has published on Renaissance art, philosophy and poetry.