Bodies Politic
Disease, Death and Doctors in Britain, 1650–1900
Roy PorterA magisterial account of representations of the body in health, disease and death.
In this historical tour de force, now available in B-format paperback, Roy Porter takes a critical look at representations of the body in health, disease and death in Britain from the mid-seventeenth to the twentieth century. Porter argues that great symbolic weight was attached to contrasting conceptions of the healthy and diseased body, and that such ideas were mapped onto antithetical notions of the good and the bad, the beautiful and the ugly. With these images in mind, he explores aspects of being ill alongside the practice of medicine, paying special attention to self-presentations by physicians, surgeons and quacks, and to changes in practitioners’ public identities over time. Porter also examines the wider symbolic meanings of disease and doctoring and the ‘body politic’. Porter’s book is packed with outrageous and amusing anecdotes portraying diseased bodies and medical practitioners alike.
A magisterial account of representations of the body in health, disease and death.
In this historical tour de force, now available in B-format paperback, Roy Porter takes a critical look at representations of the body in health, disease and death in Britain from the mid-seventeenth to the twentieth century. Porter argues that great symbolic weight was attached to contrasting conceptions of the healthy and diseased body, and that such ideas were mapped onto antithetical notions of the good and the bad, the beautiful and the ugly. With these images in mind, he explores aspects of being ill alongside the practice of medicine, paying special attention to self-presentations by physicians, surgeons and quacks, and to changes in practitioners’ public identities over time. Porter also examines the wider symbolic meanings of disease and doctoring and the ‘body politic’. Porter’s book is packed with outrageous and amusing anecdotes portraying diseased bodies and medical practitioners alike.
A magisterial account of representations of the body in health, disease and death.
In this historical tour de force, now available in B-format paperback, Roy Porter takes a critical look at representations of the body in health, disease and death in Britain from the mid-seventeenth to the twentieth century. Porter argues that great symbolic weight was attached to contrasting conceptions of the healthy and diseased body, and that such ideas were mapped onto antithetical notions of the good and the bad, the beautiful and the ugly. With these images in mind, he explores aspects of being ill alongside the practice of medicine, paying special attention to self-presentations by physicians, surgeons and quacks, and to changes in practitioners’ public identities over time. Porter also examines the wider symbolic meanings of disease and doctoring and the ‘body politic’. Porter’s book is packed with outrageous and amusing anecdotes portraying diseased bodies and medical practitioners alike.
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[A] wonderful book. [Porter] says in his introduction that he turned his eye from text to illustration and saw a new story to tell. There are 137 illustrations in this book, 32 in colour, and every one is an exultation in the fleshly horrors of the era.
'Tim Radford, The Guardian
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Porter is one of the world's best historical writers: his prose is pithy, witty, vivid, engaging and perfectly paced. He has a keen eye for evidence and can wrest conclusions with analytical rigour and imaginative subtlety. He masters fact and theory with equal ease and wields both lightly and powerfully . . . Roy Porter's book illuminates the past. Present trends make it also seem ominously prophetic.
'Felipe Fernández-Armesto, The Independent
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This handsome book offers further insights into Roy Porter's extensive medical history of the long eighteenth century . . . Lavish pictorial histories of medicine have become common lately, some of them offering little beyond their illustrations. Porter's account is solid and engaging, supported rather than dominated by the pictures . . . In offering his own analysis, Roy Porter also offers scope for variant interpretations.
'Anne Crowther, Times Literary Supplement
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[A] riveting account. The great strength of this book lies in its use of visual material. Porter has made a fine attempt at helping us understand the past through caricature, illustrations and sketches as well as his own words. It is these images, by the likes of Cruikshank and Rowlandson, which make this such an excoriating account.
'Catherine Pepinster, The Independent on Sunday
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The book is handsomely printed, and the reproductions are of good quality an essential requirement in a book of this kind. [Porter's] knowledge of the material is unrivalled, and when he writes in unadorned fashion of the careers of doctors, writers and artists, he could hardly be bettered. [Porter's] book may be read with great pleasure and profit.
'Anthony Daniels, Sunday Telegraph
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[A] magical history tour of illness and public attitudes to disease and doctors over the past 250 years. Dense with thought-provoking reflections and makes you realize how very much we remain at the mercy of all too fallible doctors.
'Val Hennessy, Daily Mail
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Porter offers a whistle-stop tour, in prose both engaging and learned.
'Fortean Times
Acknowledgements
Preface
1. Introductory: Framing the Picture
2. The Body Grotesque and Monstrous
3. The Body Healthy and Beautiful
4. Imagining Disease
5. Prototypes of Practitioners
6. Profiles of Patients
7. Outsiders and Intruders
8. Professional Problems
9. The Medical Politician and the Body Politic
10. Victorian Developments
Afterword
References
Select Bibliography
Photographic Acknowledgements
Index
Until his death in 2002, Roy Porter was Professor in the Social History of Medicine at the Wellcome Institute for the History of Medicine, and the author of many books.