Justin Carville is a lecturer in the history and theory of photography at the Institute of Art, Design and Technology, Dun Laoghaire, Ireland. He has written on the subject of photography and Ireland for journals including Photography and Culture, Source and The Journal of Popular Visual Culture.
Geoffrey Batchen is a photography historian and Professor of Art History at Victoria University of Wellington, New Zealand.
Mick Gidley is Emeritus Professor of American Literature and Culture at the University of Leeds. He is the author of With One Sky Above Us: Life on an Indian Reservation at the Turn of the Century (1979).
Nancy K. Miller is Distinguished Professor of English and Comparative Literature, the Graduate Center, CUNY.
Jay Prosser is Reader in Humanities in the School of English at the University of Leeds, UK.
Audrey Linkman is Visual Resources Manager at the Arts Faculty, The Open University. She specializes in the social history of nineteenth-century British photography and is the author of The Victorians: Photographic Portraits (1993).
Karen M. Fraser is Assistant Professor at Santa Clara University in California.
Pierre Sorlin is Professor of Sociology in Audiovisual Media, University of Paris III, and author of European Cinemas, European Societies (1991), Mass Media (1994) and Italian National Cinema (1996).
Michael Corris is Professor of Art and Chair of the Division of Art at SMU, Dallas, Texas. He was a member of the Conceptual art group ‘Art & Language’ in New York in the 1970s, and is editor of Conceptual Art: Theory, Myth, and Practice (2003), and author (with David Diao) of David Diao: Works 1969-2005 (2006). As well as Ad Reinhardt (Reaktion, 2008).
Juliet Fleming is a lecturer in the Faculty of English at the University of Cambridge and a Fellow of Trinity Hall, Cambridge.