Dag Øistein Endsjø is Professor in Religious Studies at the University of Bergen, specializing in gender, human rights and death studies. His published books include Primordial Landscapes, Incorruptible Bodies (2008) and Greek Resurrection Beliefs and the Success of Christianity (2009).
David Ekserdjian is Professor of History of Art and Film at the University of Leicester and Keeper of the University Art Collection. His books include The Italian Renaissance Altarpiece: Between Icon and Narrative (2021).
Kathryn Cornell Dolan is an associate professor in the department of English and Technical Communication at Missouri University of Science and Technology. Her books include Beyond the Fruited Plain (2014) and Cattle Country (2021).
Gönül Dönmez-Colin is a film scholar specializing in the cinemas of the Middle East and Central Asia. Among her recent books are Women, Islam and Cinema (Reaktion Books, 2004), Cinemas of the Other: A Personal Journey with Filmmakers from the Middle East and Central Asia (2006) and The Cinema of North Africa and the Middle East (ed.) (2007). And Turkish Cinema (Reaktion Books, 2008),
Thierry de Duve is Evelyn Kranes Kossak Professor at Hunter College, City University of New York. His books include Sewn in the Sweatshops of Marx: Beuys, Warhol, Klein, Duchamp (2012).
Natasha Degen is Professor and Chair of Art Market Studies at the Fashion Institute of Technology, New York. She edited The Market (2013) and has written for the Financial Times, the New York Times, the Los Angeles Times, the New Yorker, Artforum and Frieze. For more information visit www.natashadegen.com.
Romeel Davé holds the Chair of Physics at the University of Edinburgh. Born in California, he has lived around the world including eight U.S. states, India, South Africa and now Scotland.
Jess Cotton is an Early Career Fellow at the University of Cambridge. She writes on twentieth-century literature, with a particular interest in poetry after 1945, psychoanalysis, feminism and the practices of reading.
Nils Büttner is Professor of Art History at the State Academy of Art and Design, Stuttgart. His previous publications include Landscape Painting: A History (2006), The History of Gardens in Painting (2008) and Otto Dix and New Objectivity (2013).