Amy Lyford is Arthur G. Coons Professor in the History of Ideas at Occidental College in Los Angeles. She is the author of Surrealist Masculinities: Gender Anxiety and the Aesthetics of Post-World War I Reconstruction in France (2007) and Isamu Noguchi’s Modernism: Negotiating Race, Labor, and Nation, 1930–1950 (2013, 2018).
Michael Eaude is a writer who has lived in Barcelona and Valencia for more than thirty years. He is the author of several books on Spanish and Catalan culture, including A People’s History of Catalonia (2022).
Michael F. Cusato is a Franciscan friar who is currently Scholar-in-Residence at St Bonaventure University in western New York State. He has published widely on the history of the Franciscan Order in the Middle Ages.
Alex Coles is Professor in the School of Arts and Humanities, University of Huddersfield. He is the author of The Transdisciplinary Studio (2012) and Tainted Love: Twisted Romantic Ballads (2023), and editor of Design and Art (2007).
Stephanie Barczewski is Professor of Modern British History and Carol K. Brown Scholar in the Humanities at Clemson University, South Carolina. Her books include Country Houses and the British Empire, 1700–1930 (2016).
Michael Asbury is Reader in the History and Theory of Art and Deputy Director of the Research Centre for Transnational Art, Identity and Nation at Chelsea College of Arts, University of the Arts London. He has worked as an independent curator and art critic for over two decades and has written extensively on Brazilian modern and contemporary art.
Jad Adams is a Research Fellow at the Institute of English, School of Advanced Study, University of London. His many books include Women and the Vote: A World History (2014).