Icelandic Pop
Then, Today, Tomorrow, Next Week
Arnar Eggert ThoroddsenAn illuminating journey through Iceland’s music history.
Iceland punches well above its weight in the world of music, producing global icons like Björk, Sigur Rós, Of Monsters and Men, and Laufey, while at the same time nurturing a vibrant local scene. This book explores how Iceland’s unique social habits, institutions and everyday practices contribute to its thriving music culture.
Tracing the development of Icelandic popular music since the rock ’n’ roll era, it examines key influences shaping the scene, from Reykjavík’s musicians to national institutions like radio and concert venues. With engaging explanations of sociological factors, the book sheds light on why Iceland has become a powerhouse in music. An illuminating journey through Iceland’s music history, this is a celebration of the artistry and cultural forces behind its global impact.
An illuminating journey through Iceland’s music history.
Iceland punches well above its weight in the world of music, producing global icons like Björk, Sigur Rós, Of Monsters and Men, and Laufey, while at the same time nurturing a vibrant local scene. This book explores how Iceland’s unique social habits, institutions and everyday practices contribute to its thriving music culture.
Tracing the development of Icelandic popular music since the rock ’n’ roll era, it examines key influences shaping the scene, from Reykjavík’s musicians to national institutions like radio and concert venues. With engaging explanations of sociological factors, the book sheds light on why Iceland has become a powerhouse in music. An illuminating journey through Iceland’s music history, this is a celebration of the artistry and cultural forces behind its global impact.
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This is a wonderfully affectionate history of music-making in Iceland. Nothing here on hot springs or glaciers, but a rich and thoughtful account of what it means to be a popular musician in a very small, intense and playful country.
'Simon Frith, Emeritus Professor of Music, University of Edinburgh
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Icelandic Pop charts the musical changes of a small nation, from rock ’n roll to Laufey and everywhere in between. Thoroddsen is simply a stupendous storyteller, and shows without a doubt that Icelandic pop is so much more than just “meanderings about elves, quirkiness, lava and volcanos”.
'Sarah Hill, Associate Professor of Popular Music and Tutorial Fellow of St Peter’s College, University of Oxford
Preface
Introduction: Music in Iceland, from the Beginning to the Popular Music Age
1 The 1950s: Rock from the Base
2 The 1960s: We Got the Beat (as Well)
3 The 1970s: Folkloric Prog and Socio-Realistic Pop
4 The 1980s: Punk Emerges and The Sugarcubes Break the Chain
5 The 1990s: The World Domination of Björk
6 The 2000s: Sigur Rós and the Icelandic Popular Music Phenomenon
7 The 2010s: An Ever-Growing Interest
8 The 2020s: Where to Next?
Conclusion: Why Iceland?
References
Selected Discography
Photo Acknowledgements
Index
Arnar Eggert Thoroddsen is Director of the Undergraduate Media and Communication Studies programme at the University of Iceland. A renowned music journalist, he is the author of three books on Icelandic music.