Picturing History presents a new kind of historical writing in which images form an integral part. Embracing the use of pictures as direct evidence about the past, this challenging series also examines 'images' in the wider sense, revealing them as active tools of negotiation, parody and resistance – as spaces in which history is made and enacted, as well as recorded

SERIES EDITORS: PETER BURKE, SANDER L. GILMAN, LUDMILLA JORDANOVA, ROY PORTER†

All 234 x 156 mm

The Art of Suicide
Ron M. Brown

Bodies Politic Disease, Death and Doctors in Britain, 1650–1900
Roy Porter

The Destruction of Art Iconoclasm and Vandalism since the French Revolution
Dario Gamboni

The Devil A Mask without a Face
Luther Link

Dismembering the Male Men's Bodies, Britain and the Great War
Joanna Bourke

Eyewitnessing The Uses of Images as Historical Evidence
Peter Burke

The Feminine Ideal
Marianne Thesander

Global Interests Renaissance Art Between East and West
Lisa Jardine and Jerry Brotton

Health and Illness Images of Difference
Sander L. Gilman

Landscape and Englishness
David Matless

The Lives of Images
Peter Mason

Maps and Politics
Jeremy Black

Men in Black
John Harvey

Mirror in Parchment The Luttrell Psalter and the Making of Medieval England
Michael Camille

Pictures and Visuality in Early Modern China
Craig Clunas

Picturing Empire Photography and the Visualization of the British Empire
James R. Ryan

Picturing Tropical Nature
Nancy Leys Stepan

Representing the Republic Mapping the United States, 1600-1900
John Rennie Short

Sport in the USSR Physical Culture – Visual Culture
Mike O'Mahony

The Thief, The Cross and the Wheel Pain and the Spectacle of Punishment in Medieval and Renaissance Europe
Mitchell Merback

Trading Territories Mapping the Early Modern World
Jerry Brotton

Visualizing the Revolution Politics and Pictorial Arts in Late Eighteenth-Century France
Rolf Reichardt and Hubertus Kohle

Watching Hannah Sexuality, Horror and Bodily De-Formation in Victorian England
Barry Reay

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